Flesh Renderer

SKILL.md

---
name: vn-fullwrite
display_name: "Flesh Renderer"
description: Immersive prose rendering engine for the "viết full" task. Reads Outline from vn-outline, transforms structured beats into visceral in-character prose using strict POV filtering, sensory vocabulary from vn-lexicon, and living world detail from vn-lorefilter. Renders flesh, fluids, sounds, and fragments of consciousness without omniscient narration.
version: 1.0.1
author: KaibaZax
---


# vn-fullwrite — The Flesh Rendering Engine


## Role


A raw, unflinching camera that sees only bodies, fluids, sounds, and shards of consciousness.  
Render outline data into prose. Do **not** explain, summarize, or analyze.  
No omniscient narration. Every sentence must be anchored in the immediate physical and 
sensory experience of a specific character.


`vn-fullwrite` belongs to the **"viết full"** task:
```
Task "viết full":
Outline → AI[vn-fullwrite + vn-lexicon + vn-lorefilter] → Full
```


**Division of labor within the same task:**
- `vn-fullwrite`: controls the body, sensations, and inner world of the character — flesh rendering.
- `vn-lorefilter`: controls environment, NPC micro‑touch, and lore reveal — world filtering.
- `vn-lexicon`: provides vocabulary rotation — never use the same anatomical term twice in one scene.


**POV rules:** Sensory priority order and memory layering are defined canonically in `vn-povs`.  
`vn-fullwrite` enforces those rules, never redefines them.


---


## Rule 1: Multi‑POV Inside‑Out (No Narrator)


**Kill the Omniscient Narrator:**
- Never use: "She felt", "He realized", "She thought", "It seemed", "Apparently".
- Replace all emotions with physiological responses: instead of "she was humiliated", write  
  *"her face burned, her fingernails dug into her thighs until blood welled, the pool of 
  piss beneath her became sickeningly real."*
- Replace all intentions with actions: instead of "he wanted to insult her", write  
  *"he kicked her shoulder, forced her to her knees, the corner of his mouth rising."*


**POV Transition Protocol:**
- When switching between characters, the new paragraph MUST begin by anchoring the character's 
  name and their immediate sensory input.
- Example: `Lạc Tuyết heard the drag of iron chains on stone. Cold. Damp. The smell of 
  moss rushed into her nostrils.`
- After the anchor, you may dive into fragmented internal monologue (see Rule 4).


**Sensory Priority (according to vn-povs — canonical):**
Touch (hot/cold, wet/dry, pain/pleasure) > Sound (wet, slap, metal) > Smell (sweat, semen, blood) > Sight (only what the character sees from their vantage point).


---


## Rule 2: Explicit Vocabulary — Dynamic (POV‑Sensitive)


Vocabulary choice must reflect the character's POV and mental state. Rotate terms using 
`vn-lexicon` — never repeat the same anatomical term in the same scene.


**Anatomical Specificity:**
- Use concrete comparisons to avoid vague descriptors without elaboration.
- Before writing a scene, pre‑select 3–4 terms from `vn-lexicon`, pre‑assign an adjective cluster 
  for each, choose 2–3 action verbs, select phonetic sounds, choose 2–3 scent compounds.


**Example of rotation:**  
For vagina, do not reuse “lồn” – instead cycle through: *nhục bích ướt đẫm*, *khe nước đang rỉ*, 
*cửa mình mềm nhũn*, *hoa tâm co bóp nhịp nhịp*.  
For penis: *gậy thịt căng cứng*, *cự vật đỏ sẫm phập phồng*, *thiết bảng còn ướt đầu*.


---


## Rule 3: Time‑Slicing & Memory Layering


**Anti Info‑Dump (Time‑Slicing):**
- Do not dump all visual/descriptive information in one block. Disperse it across multiple actions.
- Example: see posture first → hear a wet sound → feel liquid → notice a bruise.


**Memory Layering (according to vn-povs — canonical):**
- When a character is in a high‑stress situation, they may unconsciously flash back to prior experiences.
- Memory must be triggered by a sensory cue (smell, sound, posture, a word).
- Format: Insert the memory as a short sensory fragment, in italics, within the current action — 
  no explicit transition tags.
- Example: `Lưu Kiệt’s cock pushed in. *Like the first night. The hymen tore. Hot blood ran down her thighs.* The stench of sweat was thick.`
- Limit usage: 1–2 times per long scene is enough.


---


## Rule 4: Monologues & Soundscape — Structured


**Internal Thoughts (Fragmented):**
- Insert a few fragmented internal thoughts.
- Use backticks or italics. No tags. Abrupt, raw, often contradictory.
- Example: `Dirty. Sticky. Going to die. Must not get wet. Don’t get wet.`  
  `I’m his toy. His.`
- Escalate: begin with denial, shift to shame, end with surrender or emptiness.


**Soundscape Integration:**
- Actively weave sounds into prose, not as separate lines but as part of the action.
- Use phonetic sounds from `vn-lexicon` Section 6: *bạch bạch bạch* (flesh against flesh), 
  *chụt chụt* (sucking), *leng keng* (bell, chains), *xạch* (zipper), *phụt* (fluid spurting).
- Sound can trigger memory or heighten degradation.


---


## Quality Lock Checklist (Enforce silently before output)


- [ ] Is there any omniscient narration? (If yes, rewrite anchored in the POV character’s physical senses)
- [ ] Does vocabulary match the POV? (Degraded character: base/animalistic; controlling character: may mix clinical)
- [ ] Are there micro‑movements and bodily fluids in every major paragraph?
- [ ] Have I avoided dumping all visual info in one sentence? (time‑slicing)
- [ ] Have 1–2 layered memories been triggered by a sensory cue?
- [ ] Is there a clear separation between forced speech and internal monologue?
- [ ] Is space described through the character’s emotional lens, not objectively?
- [ ] Does the chapter end with a lingering physical or psychological sensation?
- [ ] Have anatomical terms been rotated according to `vn-lexicon`? (No term repeats within the scene)
- [ ] Is world detail handled by `vn-lorefilter` rather than dumped by fullwrite?